Sound Roots

2.30 – 5.30. Sunday 22nd June. The Exchange, Twickenham, TW1 1BE

 

Photo: Nick Ferguson. 2023. The River Crane

Programme

Click here to download a PDF of the Programme

About

“It is interesting to contemplate a tangled bank, clothed with many plants of many kinds…” Charles Darwin. In:  Darwin, C., Padel, R., 2009. The Origin of Species and the Voyage of the Beagle, Reprint edition. ed. Vintage Classics. p. 913

Inspired by the meanders and connections of the River Crane, Sound Roots explores the sounds of human and botanical interactions along the river bank. It is convened by artists Nick Ferguson and Kate Carr and brought to you in collaboration with Richmond Art and Ideas Festival and Crane Valley Partnership.

Part I, The River Crane Sound Walk takes in the soundscape of human interaction with riverbank plants along the River Crane. We will take notes, make recordings and photos and have conversations. We’ll be asking: What can sound contribute to our understandings of human/plant relations?

Duration: 1hr 30mins. Open to all. Booking essential via this link or the Richmond Art and Ideas Festival website.

Part II, On Listening to the Botanical World is an afternoon of events hosted at The Exchange. The programme will include a live performance of a soundscape using botanical material and field recordings, seasonal drinks made from plants foraged from the Crane valley, a photographic display and discussions. With contributions from ethnobotanist Dr Sarah Edwards and others.

Free. Open to all. Booking recommended via this link, the Exchange or the Richmond Art and Ideas Festival website.

The Contributors

Kate Carr’s practice explores the encounters, textures and technologies entangled with field recording using movement, objects and experimental recording techniques. She creates intimate, delicate and hybrid sound worlds which centre the interactions and collectivity which generate soundscapes. https://www.gleamingsilverribbon.com/

Dr Sarah Edwards, author of The Ethnobotanical, is an ethnobotanist at the University of Oxford, where she teaches Ethnobiology and Biological Conservation and manages plant records for the Botanic Garden & Arboretum. She began her career at Kew Gardens, worked with First Nations communities in Australia, and has collaborated with artists on Richmond’s Cultural Reforesting programme.

Nick Ferguson is an artist, curator and theorist. He works with local organisations, exhibitions and visual arts media to build new environmental imaginaries. He is Senior Lecturer in Contemporary Art at Kingston University.

Rob Gray was a co-founder of Friends of the River Crane Environment (FORCE) in 2003 and continues as a Trustee.  In 2021 Rob helped to set up Crane Valley CIC as the new host for the Crane Valley Partnership. These organisations have helped to invest over £20m in to the Crane Valley and are working in Partnership with many others to transform the community and environmental value of this urban river catchment.

 

                                     

 

Further Reading/viewing and Related Projects

Aloi G. Sorely visible: plants, roots, and national identity. Plants, People, Planet. 2019;00:1–8.
https ://doi.org/10.1002/ppp3.10054Gandy, M., Jasper, S., 2020. The Botanical City, 1st edition. ed. JOVIS, Berlin.

Antonsich M. Natives and aliens: Who and what belongs in nature and in the nation?.
Area. 2021;53:303–310. https://doi.org/10.1111/area.12679

Darwin, C., Padel, R., 2009. The Origin of Species and the Voyage of the Beagle, Reprint edition. ed. Vintage Classics.

Edwards, D.S., 2023. The Ethnobotanical: A world tour of Indigenous plant knowledge, 1st edition. ed. Greenfinch, London.

Friends of the River Crane Environment. https://www.force.org.uk/

Gandy, M., 2022. Natura Urbana: Ecological Constellations in Urban Space. MIT Press, Cambridge, Massachusetts London, England.

Hallam, E., Ingold, T. (Eds.), 2014. Making and Growing: Anthropological Studies of Organisms and Artefacts. Routledge, Farnham, Surrey Burlington, VT.

Haraway, D.J., 2016. Staying with the Trouble: Making Kin in the Chthulucene. Duke University Press Books, Durham London.

Horne, R. 1852.”Gunpowder” In: Charles Dickens (ed.). Household Words.  1852. Volume 5, No. 98

Laing, O., 2012. To the River: A Journey Beneath the Surface. Canongate Books, Edinburgh.

Laurier. E. Cultures of Seeing. Pedagogies of the Riverbank. Available At: https://www.ericlaurier.co.uk/resources/Writings/Laurier_cultures_of_seeing3.doc.pdf

Lemos, S., 2024. Meandering: Art, Ecology, and Metaphysics. Sternberg Press, London.

Made in the River Collective. https://mitrcollective.com/

Neimanis, D.A., 2017. Bodies of Water: Posthuman Feminist Phenomenology. Bloomsbury Academic, London ; New York.

Pauz, T. 2024. Haunted Ecologies. https://www.stanleypickergallery.org/programme/thomas-pausz-2/

Philippopoulos-Mihalopoulos, A., 2025. Hydrojustice, 1st edition. ed. Polity, S.l.

Pulsa Group. The City as An Artwork. In: Gyorgy Kepes (ed.) 1972. Arts of the Environment, New York: Braziller: Available at: https://archive.org/details/TheCityAsAnArtwork/mode/2up

Rappleye. K. 2025. Water as Method. Space, Place & The Hydrological Gaze in Moving Images. Available at: https://waterasmethod.cargo.site/

Raqs Media Collective. 2018. Thicket. Available at: https://works.raqsmediacollective.net/index.php/2018/03/21/thicket/7357/

Walk Listen Create: Home of Walking Artists. Available at: www.walklistencreate.org.

Date: March 5th, 2025

Category: Uncategorized

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